In his bold yet playful feature debut, and in one of the great overlooked gems of the French New Wave, Jacques Rozier satirizes several major cultural currents of early-60s France: its political blindness, romantic escapism, and commercial corruption. Young Michel (Jean-Claude Aimini) works as a camera technician for a television studio, where he meets two would-be actresses, Liliane (Yveline Céry) and Juliette (Stefania Sabatini). Their demeaning work in advertising allows them to connect Michel with an unscrupulous director (Vittorio Caprioli) who subsequently stiffs him on a job. Fed up with their exploitative industry, Michel, Liliane, and Juliette head to Corsica for a holiday and to track down the director – all while a developing love triangle strains the girls’ friendship. With confidence and panache Rozier expertly employs documentary-style shooting, improvisational acting (among a mostly nonprofessional cast), and kinetic montage sequences to capture the disparity between blithe youth and the societal pressures – especially Michel’s imminent military service in Algeria – that threaten its innocence.