Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s _8½_ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for _8½_ was _The Beautiful Confusion,_ and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act.
The themes, images, and cultural vernacular of Victor Fleming’s The Wizard of Oz continue to haunt David Lynch’s art and filmography—from his very first short, The Alphabet, to his latest series, Twin Peaks: The Return. Arguably, no filmmaker has so consistently drawn inspiration—consciously or unconsciously—from a single work.
Alexandre O. Philippe
Childhood friends Pietro and Bruno experience maturity, loss, and the rediscovery of an unbreakable connection when they reunite in adulthood to build a cabin on the rugged slopes of the Italian Alps.
One of the major achievements of twenty-first-century cinema thus far, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance.
Béla Tarr and Ágnes Hranitzky