In outline, this is the story of the tragic romance between a young telephonist (Eva Ras) and a middle-aged rodent sanitation specialist (Slobodan Aligrudic) in Belgrade. Yet in Dusan Makavejev’s manic hands, this second feature becomes an endlessly surprising, time-shifting exploration of love and freedom. Featuring interludes of interviews with a sexologist and a criminologist, as well as some of the most elegant dramatic filmmaking of the director’s career, Love Affair, based on a true incident, further demonstrated Makavejev’s adeptness at mixing and matching genres, and his odd, sophisticated humanism.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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