In this gently devastating drama, a critical breakthrough for Naruse, he contrasts the life of an aging geisha, whose angry teenage son is ashamed of her profession, with that of her youthful counterpart, a lovely young girl resentful of her family for forcing her into a life of ignominy.
In the formally ravishing _Every-Night Dreams,_ set in the dockside neighborhoods of Tokyo, a single mother works tirelessly as a Ginza bar hostess to ensure a better life for her young son—until her long-lost husband returns.
Mikio Naruse’s earliest available film, _Flunky, Work Hard_ is the rare work by the director not to center around female characters. It is a charming, breezy short concerning an impoverished insurance salesman and his scrappy son.
In _No Blood Relation,_ a gripping early example of Mikio Naruse’s cinematic boldness, featuring a screenplay by Ozu’s famed collaborator Kogo Noda, an actress returns to Tokyo after a successful stint in Hollywood to reclaim the daughter she abandoned years before.
Mikio Naruse’s final silent film is a gloriously rich portrait of a waitress, Sugiko, whose life, despite a host of male admirers and even some intrigued movie talent scouts, ends up taking a suffocatingly domestic turn after a wealthy businessman accidentally hits her with his car.
_When a Woman Ascends the Stairs_ might be Japanese filmmaker Mikio Naruse's finest hour—a delicate, devastating study of a woman, Keiko (Hideko Takamine), who works as a bar hostess in Tokyo's very modern postwar Ginza district, and entertains businessmen after work.
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