Carlos Saura 
In making DEPRISA, DEPRISA, director Carlos Saura populated his cast with actual denizens of the Madrid streets to tell the story of youth on the edge of doom.
Carlos Saura
Spain,
1981
DCP
In ELISA, VIDA MÍA (“Elisa, My Dear”), Carlos Saura explores one of his recurring obsessions—interplay between past and present, memory and reality—through a spellbinding portrait of a complex father-daughter relationship.
Carlos Saura
Spain,
1977
Following a car accident, a megawealthy businessman (José Luis López Vázquez) is left paralyzed and with no memory of who he is or of anything connected to his previous life—including the number to a certain secret Swiss bank account.
Carlos Saura
Spain,
1970
Teresa (Geraldine Chaplin) and her husband Pedro (Per Oscarsson) live comfortably in an ultramodern brutalist home that is suddenly upended when she inherits a trove of old furniture from her family.
Carlos Saura
Spain,
1969
Carlos Saura’s international breakthrough is a tour de force of psychological tension in which three men, all veterans of the Spanish Civil War, reunite in the village of Castille for a day of drinking and rabbit hunting.
Carlos Saura
Spain,
1965
Carlos Saura returns to the potent themes of trauma and repression that run through nearly all of his 1970s films that deal, in one way or another, with the psychological effects of authoritarianism.
Carlos Saura
France,
1978
he first of Carlos Saura’s many collaborations with Geraldine Chaplin is a darkly comic psychological thriller that casts the actor in a VERTIGO-esque double role as both the glamorous, unattainable object of a rigidly conservative physician’s obsession and the unassuming nurse he attempts to make over in her image.
Carlos Saura
Spain,
1967
A dangerous love triangle comes into focus as, over the course of one fateful day, a possessive industrialist (Fernando Cebrián), his unfaithful wife (Geraldine Chaplin), and his flirtatious best friend (Juan Luis Galiardo) embark on a road trip from Madrid to the coast of Spain—who among them will make it back alive?
Carlos Saura
Spain,
1968
Juan (Iñaki Aierra), a playwright obsessed by his torrid family history, attempts to work through the unresolved issues of his past by staging an autobiographical play entitled “Sweet Hours.”
Carlos Saura
France,
1982