Infused with the spirit of rock ’n’ roll and rebellion, this music-driven counterculture snapshot unfolds to a near wall-to-wall soundtrack of late 1960s-early 1970s Hungarian psych and folk as it traces the odyssey of a young woman (Jaroslava Schallerová, star of the Czech New Wave classic Valerie and Her Week of Wonders) who, on the eve of her marriage to a factory worker (Márk Zala), experiences a final moment of freedom when she runs away with a touring band. One of Márta Mészáros’ most formally experimental works due to its minimal dialogue and almost proto-music video style, Don’t Cry, Pretty Girls! reflects the cultural sea change sweeping Europe at a time when traditional values were being shaken by a youthquake of individual self expression.
A 12-film retrospective of the director’s work featuring 4K restorations, rarely-screened shorts and documentaries.
A celebration of revolutionary filmmaking.
The themes, images, and cultural vernacular of Victor Fleming’s The Wizard of Oz continue to haunt David Lynch’s art and filmography—from his very first short, The Alphabet, to his latest series, Twin Peaks: The Return. Arguably, no filmmaker has so consistently drawn inspiration—consciously or unconsciously—from a single work.
Alexandre O. Philippe
After the French New Wave, the sexual revolution, and May ’68 came The Mother and the Whore, the legendary, autobiographical magnum opus by Jean Eustache that captured a disillusioned generation navigating the post-idealism 1970s within the microcosm of a ménage à trois.