The concluding installment of the “Tales of the Four Seasons” tetralogy is a breezy take on the classic American romantic comedies that influenced Rohmer and his New Wave peers. Set in the Rhône Valley and taking full advantage of its golden vineyards, A Tale of Autumn concerns simultaneous schemes to find a new love for reserved winegrower and widow Magali (Beatrice Romand). While Magali’s son’s girlfriend (Alexia Portal) attempts to pair her with a former professor and lover (Didier Sandre), Magali’s friend Isabelle (Marie Rivière) assumes a false identity in order to bait eligible bachelor Gérald (Alain Libolt). The misunderstandings that follow are pure Rohmer in revealing the humor of human folly and foible.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut.
Melvin Van Peebles
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