Bruce Lee is at his most awe-inspiringly ferocious in this blistering follow-up to his star-making turn in The Big Boss, which turned out to be an even greater success than its predecessor. Set in 1910s Shanghai, Fist of Fury casts Lee as a marital arts student who, after his revered master is murdered by a rival dojo of Japanese imperialists, sets out to defend the honor of both his school and of the Chinese people, with his fatal punch his preferred weapon of choice. Elevating Lee to a hero of near folkloric proportions, this historical revenge fantasy blends its stunning action set pieces with a strong anti-colonialist statement and a potent dose of the fierce cultural pride which the actor embodied.
This boldly cinematic trio of stories about love and loss, from Krzysztof Kieślowski was a defining event of the art-house boom of the 1990s. The films are named for the colors of the French flag and stand for the tenets of the French Revolution—liberty, equality, and fraternity—but that hardly begins to explain their enigmatic beauty and rich humanity. Set in Paris, Warsaw, and Geneva, and ranging from tragedy to comedy, Blue, White, and Red(Kieślowski’s final film) examine with artistic clarity a group of ambiguously interconnected people experiencing profound personal disruptions. Marked by intoxicating cinematography and stirring performances by such actors as Juliette Binoche, Julie Delpy, Irène Jacob, and Jean-Louis Trintignant, Kieślowski’s Three Colors is a benchmark of contemporary cinema.
The Hong Kong crime drama was jolted to new life with the release of the Infernal Affairs trilogy, a bracing, explosively stylish critical and commercial triumph that introduced a dazzling level of narrative and thematic complexity to the genre with its gripping saga of two rival moles.
The release of François Truffaut’s The 400 Blows in 1959 shook world cinema to its foundations.