With its droll humor and bittersweet emotional heft, the feature debut of writer-director Greg Mottola announced the arrival of an unassumingly sharp-witted new talent on the 1990s indie film scene. When she discovers a love letter written to her husband (Stanley Tucci) by an unknown paramour, the distraught Eliza (Hope Davis) turns to her tight-knit Long Island family for advice. Soon the entire clan—strong-willed mom (Anne Meara), taciturn dad (Pat McNamara), and jaded sister (Parker Posey) with pretentious boyfriend (Liev Schreiber) in tow—has squeezed into a station wagon and headed into Manhattan to find out the truth, kicking off a one-crazy-day odyssey full of unexpected detours and life-changing revelations. Performed with deadpan virtuosity by a top-flight ensemble cast, The Daytrippers is a wry and piercing look at family bonds stretched to the breaking point.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut.
Melvin Van Peebles
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