The teasingly entwined ambiguities of love and death continue to fascinate Alain Guiraudie (Stranger by the Lake, NYFF51), who returns with a sharp, sinister, yet slyly funny thriller.
Among the strangest and most perturbing films of his overlooked Mexican period, Él is Luis Buñuel’s incisive portrait of paranoia, jealousy, and sexual obsession—a nightmarish tale of love gone wrong that prefigures the major themes of his 1960s and ’70s work.
In an eerie, deceptively placid near-future, a techno-entrepreneur named Karsh (Vincent Cassel) has developed a new software that will allow the bereaved to bear witness to the gradual decay of loved ones dead and buried in the earth.
The preeminent dramatist of China’s rapid 21st-century growth and social transformation, Jia Zhangke has taken his boldest approach to narrative yet with his marvelous Caught by the Tides.