More has been written about Leni Riefenstahl’s OLYMPIA than about any other sports documentary in history. In part two of OLYMPIA, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon. Despite the film's fascist origins, OLYMPIA has achieved a certain respectability and endures as a monument of cinema— and of a malevolent ideology.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Mathieu Kassovitz took the film world by storm with La haine, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris’s outskirts.
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