Jean-Pierre Melville began his superb feature filmmaking career with this powerful adaptation of an influential underground novel written during the Nazi occupation of France. A cultured, naively idealistic German officer is billeted in the home of a middle-aged man and his grown niece; their response to his presence—their only form of resistance—is complete silence. Constructed with elegant minimalism and shot, by the legendary Henri Decaë, with hushed eloquence, Le silence de la mer points the way toward Melville’s later films about resistance and the occupation (Léon Morin, Priest; Army of Shadows) yet remains a singularly eerie masterwork in its own right.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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