Nobody’s Children is the first half of an overflowing diptych of melodramas chronicling the labyrinthine misfortunes of a couple torn cruelly apart by fate (and meddling villains). When Guido (Amedeo Nazzari), a young count, falls for Luisa (Yvonne Sanson), the poor daughter of one of the miners who works at his family’s quarry, his mother and her nefarious henchman scheme epically to separate the two forever.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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