Zoltán Korda’s charged adaptation of a novel by The Four Feathers author A. E. W. Mason features Sabu in his second film role, as the teenage Prince Azim, forced into hiding when his father, the ruler of a peaceful kingdom in northwest India, is assassinated by his own ruthless brother. Protected by a friendly British officer (Roger Livesey) and his wife (Valerie Hobson), and befriended by the regiment’s drummer boy, Prince Azim ends up fighting with the colonialists against his dastardly uncle. This rousing adventure includes an exuberant performance by Sabu and spectacular Technicolor cinematography by Georges Périnal and Osmond Borradaile.
The themes, images, and cultural vernacular of Victor Fleming’s The Wizard of Oz continue to haunt David Lynch’s art and filmography—from his very first short, The Alphabet, to his latest series, Twin Peaks: The Return. Arguably, no filmmaker has so consistently drawn inspiration—consciously or unconsciously—from a single work.
Alexandre O. Philippe
Childhood friends Pietro and Bruno experience maturity, loss, and the rediscovery of an unbreakable connection when they reunite in adulthood to build a cabin on the rugged slopes of the Italian Alps.
One of the major achievements of twenty-first-century cinema thus far, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance.
Béla Tarr and Ágnes Hranitzky