Zoltán Korda’s charged adaptation of a novel by The Four Feathers author A. E. W. Mason features Sabu in his second film role, as the teenage Prince Azim, forced into hiding when his father, the ruler of a peaceful kingdom in northwest India, is assassinated by his own ruthless brother. Protected by a friendly British officer (Roger Livesey) and his wife (Valerie Hobson), and befriended by the regiment’s drummer boy, Prince Azim ends up fighting with the colonialists against his dastardly uncle. This rousing adventure includes an exuberant performance by Sabu and spectacular Technicolor cinematography by Georges Périnal and Osmond Borradaile.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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