Sacha Guitry exchanges his usual top hat for a uniform in Désiré, playing a cavalier valet embroiled in an awkward flirtation with his new employer (played by the actor-director’s real-life wife, Jacqueline Delubac), who is involved with a stuffy politician. A carefree class farce filled with memorable supporting characters, Désiré blurs the distinction between upstairs and downstairs.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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