Sadako (Masumi Harukawa), cursed by generations before her and neglected by her common-law husband, falls prey to a brutal home intruder. But rather than become a victim, she forges a path to her own awakening. This disturbing and pitiless evocation of domestic drudgery and sexual violence is also a fascinating, unsentimental account of one woman’s determination. Filled with director Shohei Imamura’s characteristic flashbacks and dream sequences, Intentions of Murder is a gripping, audacious portrait of a woman coming into her own in a man’s world.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Mathieu Kassovitz took the film world by storm with La haine, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris’s outskirts.
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