Combining three prevalent genres of the day—the student comedy, the salaryman film, and the domestic drama—Ozu created this warmhearted family comedy, and demonstrated that he was truly coming into his own as a cinema craftsman. The setup is simple: Low wage–earning dad Okajima is depending on his bonus, and so are his wife and children, yet payday doesn't exactly go as planned. Exquisite and economical, Ozu's film alternates between brilliantly mounted comic sequences and heartrending working-class realities.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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An intoxicating, time-bending experience bathed in the golden glow of oil lamps and wreathed in an opium haze, Hou Hsiao-hsien’s gorgeous period reverie traces the romantic intrigue, jealousies, and tensions swirling around a late 19th century Shanghai brothel, where the courtesans live confined to a gilded cage, ensconced in opulent splendor yet forced to work to buy back their freedom.