Simone Signoret, Anton Walbrook, and Simone Simon lead a roundelay of French stars in Max Ophuls's delightful, acerbic adaptation of Arthur Schnitzler's controversial turn-of-the-century play Reigen. Soldiers, chambermaids, poets, prostitutes, aristocrats—all are on equal footing in this multicharacter merry-go-round of love and infidelity, directed with a sweeping gaiety as knowingly frivolous as it is enchanting, and shot with Ophuls's trademark mellifluous cinematography.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Mathieu Kassovitz took the film world by storm with La haine, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris’s outskirts.
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