Roving with his dazzlingly mobile camera around the decadent ballrooms, bucolic countryside retreats, urban bordellos, and painter's studios of late nineteenth-century French life, Max Ophuls brings his astonishing visual dexterity and storytelling bravura to this triptych of tales by Guy de Maupassant about the limits of spiritual and physical pleasure. Featuring a stunning cast of French stars (including Danielle Darrieux, Jean Gabin, and Simone Simon), Le plaisir pinpoints the cruel ironies and happy compromises of life with a charming and sophisticated breeziness.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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