The most cherished work from French master Max Ophuls, The Earrings of Madame de . . . is a profoundly emotional, cinematographically adventurous tale of deceptive opulence and tragic romance. When an aristocratic woman known only as Madame de . . . (Danielle Darrieux) sells a pair of earrings given to her by her husband (Charles Boyer) in order to pay some debts, she sets off a chain reaction of financial and carnal consequences that can end only in despair. Ophuls’s adaptation of Louise de Vilmorin’s incisive fin de siècle novel employs to ravishing effect the elegant and precise camera work for which the director is so justly renowned.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut.
Melvin Van Peebles
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