The jaw-dropping set pieces fly fast and furious in Jackie Chan’s breathtakingly inventive martial-arts comedy, a smash hit that made him a worldwide icon of daredevil action spectacle. The director/star/one-man stunt machine plays Ka-Kui, a Hong Kong police inspector who goes rogue to bring down a drug kingpin and protect the case’s star witness (Chinese cinema legend Brigitte Lin) from retribution. Packed wall-to-wall with charmingly goofball slapstick and astoundingly acrobatic fight choreography—including an epic shopping-mall melee of flying fists and shattered glass—Police Story set a new standard for rock-’em-sock-’em mayhem that would influence a generation of filmmakers from Hong Kong to Hollywood.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
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