With his underappreciated first English-language film, a relationship drama shot near his island retreat of Fårö, Bergman delivered a compelling portrait of conflicting desires. A chance encounter between seemingly contented housewife Karin (Bibi Andersson) and intense American archaeologist David (Elliott Gould) leads to the initiation of a torrid and tempestuous affair, one that eventually threatens the stability of her life with a respected local surgeon (Max von Sydow). Upon its release, Bergman declared this emotionally complex and sensitively performed film to be his first real love story.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
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