The fifth drama that Bergman shot on his beloved Fårö describes a mood of fear and spiritual guilt. Not long after the dissolution of his marriage, and a fleeting liaison with a neighbor (Bibi Andersson), the reclusive Andreas (Max von Sydow) begins an ultimately disastrous affair with the mysterious, beguiling Anna (Liv Ullmann), who has recently lost her own husband and son. The film, which incorporates documentary-style interviews with the actors, blurs the boundaries between fiction and nonfiction, dream and reality, identity and anonymity.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
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