Made during his self-imposed exile in Germany, Bergman’s From the Life of the Marionettes offers a lacerating portrait of a troubled marriage, and a complex psychological analysis of a murder. Unhappily married businessman Peter nurses fantasies of murdering his wife, Katarina, until a prostitute becomes his surrogate prey. In the aftermath of the crime, Peter and Katarina’s psychiatrist and others attempt to explain its roots. This compelling film moves seamlessly between dream and everyday reality, between lurid color and austere black and white, and the acting by the German cast is superb.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
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