Twenty years have passed: Fanny’s son, Césariot, is in a military academy, and Panisse is on his deathbed, where the local priest demands that he tell his son about his biological father. Panisse refuses and dies; Fanny then divulges the secret, sending Césariot on a search for his own identity and for Marius, whose life has been fraught with calamity and poverty. Now free to follow her love, Fanny seeks out Marius as well, and with César’s help resolves their star-crossed destinies.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
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