The blind swordsman wanders into a town to celebrate the New Year. There, he befriends a young woman whose father has gone missing; as he tries to help her find him, he becomes entangled in a web of corruption and a series of tragic twists of fate. Returning director Kimiyoshi Yasuda and screenwriter Shozaburo Asai masterfully weave together a variety of narrative threads and tonal registers, all while playfully tweaking the conventions and motifs of the series.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
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