With a small film crew, Wim Wenders accompanied his old friend Ry Cooder, who had written the music for Paris, Texas and The End of Violence, on a trip to Havana. Cooder wanted to record his material for Ibrahim Ferrer’s solo album at a studio there—following the recording of the first Buena Vista Social Club CD (which had not yet been released at that time). Wenders immersed himself in the world of Cuban music. Over the course of several months, he observed and accompanied the musicians—first at home in Havana; then, weeks later, in April 1998, on their trip to Amsterdam for the first public performance of the band (who had never played together outside a studio); then, still later, in July 1998, to their triumphal concert at New York’s Carnegie Hall. He thus followed the old heroes of the traditional Cuban son music on their path from being completely forgotten to becoming world famous—within the period of just a few months. “I thought, I’ll shoot a documentary,” Wenders has said, “and here we were, about to witness a fairy tale that no one could have imagined in this form.” The music documentary became a cinematic sensation and an international success. Along with an Academy Award nomination for best documentary film, Buena Vista Social Club won in the same category at the European Film Awards, the German Film Prize in Gold, Germany’s Golden Camera, and the Grand Prize for Film in Brazil, as well as garnering numerous other awards.
This widely acclaimed film from Soviet director Elem Klimov is a stunning, senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in present-day Belarus, teenage Flyora (Aleksei Kravchenko, in one of the screen’s most searing depictions of anguish since Renée Falconetti’s Joan of Arc) eagerly joins the Soviet resistance.
DCP, Blu-ray, DVD
Mathieu Kassovitz took the film world by storm with La haine, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris’s outskirts.
DCP, 35 mm, Blu-ray, DVD
A lost and found revelation of American independent cinema, the last feature to date from director Jan Oxenberg is a wondrously imaginative, immensely moving portrait of the filmmaker’s own family as they prepare to say goodbye to her terminally ill grandmother.
DCP, Blu-ray, DVD