Twenty years after their brilliant cinema-theater experiment Vanya on 42nd Street, Wallace Shawn and André Gregory reunited to produce another idiosyncratic film version of a classic play, this time Henrik Ibsen’s Bygmester Solness (Master Builder Solness). Brought pristinely to the screen by Jonathan Demme, this compellingly abstract reimagining features Shawn (who also wrote the adaptation) as a visionary but tyrannical middle-aged architect haunted by figures from his past, most acutely an attractive, vivacious young woman (the breathtaking newcomer Lisa Joyce) who has appeared on his doorstep. Also featuring standout supporting performances by Julie Hagerty, Larry Pine, and Gregory, A Master Builder, like Vanya, is the result of many years of rehearsals, a living, breathing, constantly shifting work that unites theater, film, and dream.
Shot outside of Pittsburgh at a fraction of the cost of a Hollywood feature by a band of filmmakers determined to make their mark, George A. Romero’s Night of the Living Dead is one of the great stories of independent cinema: a midnight hit turned box-office smash that became one of the most influential films of all time.
George A. Romero
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