Grave and witty by turns, this drama develops into a probing study of the psychology of desire. Susanne (Eva Dahlbeck), head of a modeling agency, takes her protégée Doris (Harriet Andersson) to a fashion show in Gothenburg, where Susanne makes contact with a former lover, and Doris finds herself pursued by a married dignitary (Gunnar Björnstrand). With its parallel narratives and subtle compositions, Dreams marked a transition between Bergman’s early explorations of affairs of the heart and the more somber and virtuosic masterpieces to come later in the fifties.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
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