A peerless chronicler of the soul who specialized in supremely emotional, visually exquisite films about the circumstances of women in Japanese society, Kenji Mizoguchi had already been directing movies for decades when he made The Life of Oharu in 1952. But this epic portrait of an inexorable fall from grace, starring the astounding Kinuyo Tanaka as an imperial lady-in-waiting who gradually descends to street prostitution, was the movie that gained the director international attention, ushering in a new golden period for him.
Shot outside of Pittsburgh at a fraction of the cost of a Hollywood feature by a band of filmmakers determined to make their mark, George A. Romero’s Night of the Living Dead is one of the great stories of independent cinema: a midnight hit turned box-office smash that became one of the most influential films of all time.
George A. Romero
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