In The White Angel,, Raffaello Matarazzo’s sequel to his blockbuster Nobody’s Children, the perpetually put-upon Guido and Luisa (Amedeo Nazzari and Yvonne Sanson) return for a new round of trials and tribulations. This time, the reversals of fortune are even more insanely ornate, a plot twist involving doppelgängers beats Vertigo to the punch by three years, and the whole thing climaxes with a jaw-dropping women-in-prison set piece.
Janus Films is proud to present a touring retrospective spanning Abbas Kiarostami’s nearly five-decade career. This series includes new restorations, undertaken by the Criterion Collection and MK2, of The Koker Trilogy, Taste of Cherry, The Wind Will Carry Us, and rarely screened shorts and documentaries.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
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