Sadako (Masumi Harukawa), cursed by generations before her and neglected by her common-law husband, falls prey to a brutal home intruder. But rather than become a victim, she forges a path to her own awakening. This disturbing and pitiless evocation of domestic drudgery and sexual violence is also a fascinating, unsentimental account of one woman’s determination. Filled with director Shohei Imamura’s characteristic flashbacks and dream sequences, Intentions of Murder is a gripping, audacious portrait of a woman coming into her own in a man’s world.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
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