In the brilliantly accomplished centerpiece of Rohmer’s “Moral Tales” series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of sixties cinema. A pious Catholic engineer in his early thirties, he lives by a strict moral code in order to rationalize his world, drowning himself in mathematics and the philosophy of Pascal. After spotting the delicate, blonde Françoise at Mass, he vows to make her his wife, although when he unwittingly spends the night at the apartment of the bold, brunette divorcée Maud, his rigid ethical standards are challenged. A breakout hit in the United States, My Night at Maud’s was one of the most influential and talked-about films of the decade.
Janus Films is proud to present a touring retrospective spanning Abbas Kiarostami’s nearly five-decade career. This series includes new restorations, undertaken by the Criterion Collection and MK2, of The Koker Trilogy, Taste of Cherry, The Wind Will Carry Us, and rarely screened shorts and documentaries.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
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