Martha Beck (Shirley Stoler) is sullen, overweight, and lonely. Desperate for affection, she joins Aunt Carrie’s Friendship Club and strikes up a correspondence with Ray Fernandez (Tony Lo Bianco), a charismatic smooth talker who could be the man of her dreams—or a degenerate con artist. Based on a shocking true story and shot in documentary-style black and white by the confident and inspired Leonard Kastle, in what would be his only foray into filmmaking, The Honeymoon Killers is a stark portrayal of the desperate lengths to which a lonely heart will go to find true love.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
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