One of the greatest achievements by Akira Kurosawa, Ikiru shows the director at his most compassionate—affirming life through an exploration of death. Takashi Shimura beautifully portrays Kanji Watanabe, an aging bureaucrat with stomach cancer who is impelled to find meaning in his final days. Presented in a radically conceived twopart structure and shot with a perceptive, humanistic clarity of vision, Ikiru is a multifaceted look at what it means to be alive.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
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