Jean Vigo 3 Films – DCP, Blu-ray, DVD, 35 mm
In Jean Vigo’s hands, an unassuming tale of conjugal love becomes an achingly romantic reverie of desire and hope. Jean (Jean Dasté), a barge captain, marries Juliette (Dita Parlo), an innocent country girl, and the two climb aboard Jean’s boat, the L’Atalante—otherwise populated by an earthy first mate (Michel Simon) and a multitude of mangy cats—and embark on their new life together. Both a surprisingly erotic idyll and a clear-eyed meditation on love, L’Atalante, Vigo’s only feature-length work, is a film like no other.
Restored in 4K in 2017 by Gaumont in association with Cinémathèque française and The Film Foundation with the support of CNC – Centre national du cinéma et de l’image animée at L’Immagine Ritrovata and L’Image Retrouvée laboratories from original first generation nitrate prints preserved by BFI, Cineteca Italiana and Cinémathèque française
So effervescent and charming that one can easily forget its importance in film history, Jean Vigo’s enormously influential portrait of prankish boarding-school students is one of cinema’s great acts of rebellion. Based on the director’s own experiences as a youth, _Zéro de conduite_ presents childhood as a time of unfettered imagination and brazen rule-flouting. It’s a sweet-natured vision of sabotage made vivid by dynamic visual experiments—including the famous, blissful slow-motion pillow fight.
Jean Vigo was twenty-five when he made this, his debut film, a silent cinematic poem that reveals, through a thrilling and ironic use of montage, the economic reality hidden behind the facade of the Mediterranean resort town of Nice. The first of Vigo’s several collaborations with cinematographer Boris Kaufman (Dziga Vertov’s brother and a future Oscar winner), À propos de Nice is both a scathing and invigorating look at 1930 French culture.
Janus Films is proud to present a touring retrospective spanning Abbas Kiarostami’s nearly five-decade career. This series includes new restorations, undertaken by the Criterion Collection and MK2, of The Koker Trilogy, Taste of Cherry, The Wind Will Carry Us, and rarely screened shorts and documentaries.
Seattle, 1984. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins
DCP, Blu-ray, DVD