René Clair
France,
1924
One of the seminal films of the surrealist art movement, ENTR’ACTE (1924) brought together three of the great French artists of its time: Francis Picabia, Erik Satie, and René Clair. Presented in two parts as the introduction and intermission of a ballet, ENTR’ACTE has the twin virtues of formal innovation and extraordinary humor.