Made in collaboration with Alberto Lattuada, Federico Fellini’s directorial debut unfolds amid the colorful backdrop of a traveling vaudeville troupe whose quixotic impresario (Peppino De Filippo) is tempted away from his faithful mistress (Giulietta Masina) by the charms of an ambitious young dancer (Carla Del Poggio). Though the details of what the division of duties was between the two directors are unclear, this lively backstage capriccio is unmistakably Felliniesque in its whimsical fascination with the heightened reality, carnivalesque characters, and exotic allure of the world of show business. In the first of her celebrated collaborations with her director husband, Giulietta Masina displays the spirited vulnerability that would soon become an archetype of cinematic emotiveness.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut.
Melvin Van Peebles
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