Enter a legend. Bruce Lee’s return to the Hong Kong film industry after a decade in America proved to be his big breakthrough, launching him to instant superstardom and setting a new standard for kung fu heroics. He commands the screen with his gravitas and explosive physicality in the role of a Chinese immigrant working at a Thai ice factory and sworn to an oath of nonviolence. When he discovers that the factory’s ruthless higher-ups are running a secret heroin ring and offing their own workers, his commitment to pacifism is put to the test. With his undeniable charisma and fluid, lightning-fast martial arts style, Lee is a revelation, streaking across the screen with a speed and power the likes of which had never been seen before.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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