A breathtaking vision of Cuban revolutionary history wrought with white-hot intensity, Humberto Solás’s operatic epic tells the story of a changing country through the eyes of three women, each named Lucía. In the 1890s, she is a tragic noblewoman who inadvertently betrays her country for love during the War of Independence. In the 1930s, she is the daughter of a bourgeois family drawn into the workers’ uprising against the dictatorship of Gerardo Machado. And in the postrevolutionary 1960s, she is a newlywed farm girl fighting the ongoing battle against patriarchal oppression. A formally dazzling landmark of postcolonial cinema, Lucía is both a sensually stunning experience and a fiercely feminist portrait of a society journeying toward liberation.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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