Agnès Varda’s tender evocation of the childhood of her husband, Jacques Demy—a dream project of his that she realized when he became too ill to direct the film himself—is a wonder-filled portrait of the artist as a young man and an enchanting ode to the magic of cinema. Shot in Demy’s hometown of Nantes (including the house he grew up in), this imaginative blend of narrative and documentary traces his coming of age amid the tumult of World War II as he finds escape in a universe of puppet shows, fairy tales, opera, and, above all, movies—the formative aesthetic experiences that would fuel his vivid Technicolor imagination and find unforgettable expression in his exuberant New Wave masterworks. Interspersed with intimate footage of the older Demy reflecting on his life’s journey, Jacquot de Nantes is a poignant love letter from one visionary artist to another.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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