As she roams the streets of Tehran in her car, a recently divorced woman (Mania Akbari) chauffeurs a rotating cast of passengers, from her combative young son to a heartbroken wife abandoned by her husband to a defiant young sex worker going about her job. Fully embracing the minimalist freedoms of digital filmmaking by shooting entirely on two cameras fixed to the vehicle’s dashboard, Kiarostami crafts a miracle of slice- of-life docufiction that probes the experiences of women in contemporary Iran. Capturing revealing moments of everyday human interaction, Ten uses its simple premise as a vehicle for a remarkably rich, perceptive look at the tension between the strictures of a patriarchal society and the universal need for personal freedom.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut.
Melvin Van Peebles
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