Thirty years in the making, Tiny: The Life of Erin Blackwell continues to follow one of the most indelible subjects of Streetwise, a groundbreaking documentary on homeless and runaway teenagers. Erin Blackwell, a.k.a. Tiny, was introduced in filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall's earlier film as a brash fourteen-year-old living precariously on the margins in Seattle. Now a forty-four year-old mother of ten, Blackwell reflects with Mark on the journey they’ve experienced together, from Blackwell's struggles with addiction to her regrets to her dreams for her own children, even as she sees them being pulled down the same path of drugs and desperation. Interweaving three decades’ worth of Mark’s photographs and footage that includes previously unseen outtakes from Streetwise, this is a heartrending, deeply empathetic portrait of a family struggling to break free of the cycle of trauma, as well as a summation of the life's work of Mark, an irreplaceable artistic voice.
This boldly cinematic trio of stories about love and loss, from Krzysztof Kieślowski was a defining event of the art-house boom of the 1990s. The films are named for the colors of the French flag and stand for the tenets of the French Revolution—liberty, equality, and fraternity—but that hardly begins to explain their enigmatic beauty and rich humanity. Set in Paris, Warsaw, and Geneva, and ranging from tragedy to comedy, Blue, White, and Red(Kieślowski’s final film) examine with artistic clarity a group of ambiguously interconnected people experiencing profound personal disruptions. Marked by intoxicating cinematography and stirring performances by such actors as Juliette Binoche, Julie Delpy, Irène Jacob, and Jean-Louis Trintignant, Kieślowski’s Three Colors is a benchmark of contemporary cinema.
The Hong Kong crime drama was jolted to new life with the release of the Infernal Affairs trilogy, a bracing, explosively stylish critical and commercial triumph that introduced a dazzling level of narrative and thematic complexity to the genre with its gripping saga of two rival moles.
The release of François Truffaut’s The 400 Blows in 1959 shook world cinema to its foundations.