Seattle, 1983. Taking their camera to the streets of what was supposedly America’s most livable city, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall set out to tell the stories of those society had left behind: homeless and runaway teenagers living on the city’s margins. Born from a Life magazine exposé by Mark and McCall, Streetwise follows an unforgettable group of at-risk children—including iron-willed fourteen-year-old Tiny, who would become the project’s most haunting and enduring face, along with the pugnacious yet resourceful Rat and the affable drifter DeWayne—who, driven from their broken homes, survive by hustling, panhandling, and dumpster diving. Granted remarkable access to their world, the filmmakers craft a devastatingly frank, nonjudgmental portrait of lost youth growing up far too soon in a world that has failed them.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Mathieu Kassovitz took the film world by storm with La haine, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris’s outskirts.
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