The first film in Abbas Kiarostami’s sublime, interlacing trilogy of films set in the northern Iranian village of Koker takes a premise of fable-like simplicity—a boy searches for the home of his classmate whose school notebook he has accidentally taken—and transforms it into a miraculous, child’s-eye adventure of the everyday. As our young hero zigzags determinedly across two towns aided (and sometimes misdirected) by those he encounters, his quest becomes both a revealing portrait of Iranian society in all its richness and complexity and a touching parable about the meaning of personal responsibility. Shot through with all the wonder, beauty, tension, and mystery one day can contain, Where is the Friend’s House? established Kiarostami’s reputation as one cinema’s most sensitive and profound humanists.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut.
Melvin Van Peebles
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