Jackie Chan followed up the massive success of Police Story with an even bigger box-office hit. Having been demoted to a lowly traffic cop for his, ahem, unorthodox policing methods, Chan’s go-it-alone officer Ka-Kui quits the force in protest. But it isn’t long before he’s back in action, racing the clock to stop a band of serial bombers and win back his much-put-upon girlfriend May (the phenomenal Maggie Cheung, reprising her star-making role). Boasting epic explosions, an awesomely 1980s electro soundtrack, and a showstopping finale—which turns an abandoned warehouse into a life-size pinball machine of cascading oil drums, collapsing scaffolds, and shooting fireworks—Police Story 2 confirmed Chan’s status as a performer of unparalleled grace and daring.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut.
Melvin Van Peebles
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