This wry, melancholic comedy from Aki Kaurismäki, a clear-eyed response to the current refugee crisis, follows two people searching for a place to call home. Displaced Syrian Khaled (Sherwan Haji) lands in Helsinki as a stowaway; meanwhile, middle-aged salesman Wikström (Sakari Kuosmanen) leaves behind his wife and job and buys a conspicuously unprofitable seafood restaurant. After Khaled is denied asylum, he decides not to return to Aleppo—and the paths of the two men cross fortuitously. As deadpan as the best of the director’s work, and with a deep well of empathy for its down-but-not-out characters (many of them played by members of Kaurismäki's ever-reliable stock company), The Other Side of Hope is a bittersweet tale of human kindness in the face of official indifference.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
Four charming comedies from Eric Rohmer.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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