One of Mexico’s most highly regarded works of political cinema, Canoa: A Shameful Memory reimagines a real-life incident that had occurred just eight years before its release, when a group of urban university employees on a hiking trip were viciously attacked by residents of the village of San Miguel Canoa who had been manipulated by a corrupt priest into believing the travelers were communist revolutionaries. Director Felipe Cazals adopts a gritty documentary style to narrate the events in Canoa while referencing the climate of political repression that would lead to the massacre of student protesters in Mexico City shortly thereafter. The resulting film is a daring commentary on ideological manipulation, religious fanaticism, and mass violence, as well as a visceral expression of horror.
The themes, images, and cultural vernacular of Victor Fleming’s The Wizard of Oz continue to haunt David Lynch’s art and filmography—from his very first short, The Alphabet, to his latest series, Twin Peaks: The Return. Arguably, no filmmaker has so consistently drawn inspiration—consciously or unconsciously—from a single work.
Alexandre O. Philippe
Childhood friends Pietro and Bruno experience maturity, loss, and the rediscovery of an unbreakable connection when they reunite in adulthood to build a cabin on the rugged slopes of the Italian Alps.
One of the major achievements of twenty-first-century cinema thus far, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance.
Béla Tarr and Ágnes Hranitzky