David Lynch: The Art Life looks at Lynch’s art, music, and early films, shining a light into the dark corners of his unique world and giving audiences a better understanding of the man and the artist. As he says, “I think every time you do something, like a painting or whatever, you go with ideas, and sometimes the past can conjure those ideas and color them. Even if they’re new ideas, the past colors them.” We’re invited in and given private views from Lynch’s compound and painting studio in the hills high above Hollywood, as he tells personal stories that unfold like scenes from his films. Strange characters come into focus only to fade again into the past, all leaving an indelible mark.
With his lush and sensual visuals, pitch-perfect soundtracks, and soulful romanticism, Wong Kar Wai has established himself as one of the defining auteurs of contemporary cinema.
“No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning Demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be.
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An intoxicating, time-bending experience bathed in the golden glow of oil lamps and wreathed in an opium haze, Hou Hsiao-hsien’s gorgeous period reverie traces the romantic intrigue, jealousies, and tensions swirling around a late 19th century Shanghai brothel, where the courtesans live confined to a gilded cage, ensconced in opulent splendor yet forced to work to buy back their freedom.