While vacationing on a remote island retreat, a family’s already fragile ties are tested when daughter Karin (Harriet Andersson) discovers her father has been using her schizophrenia for his own literary means. As she drifts in and out of lucidity, the father (Gunnar Björnstrand), along with Karin’s husband (Max von Sydow) and her younger brother (Lars Passgård) are unable to prevent Karin’s harrowing descent into the abyss of mental illness. Winner of the 1962 Academy Award for Best Foreign Language Film and featuring an astonishing lead performance by Andersson, Through a Glass Darkly presents an unflinching vision of a family’s near disintegration and a tortured psyche further taunted by God’s intangible presence.
This boldly cinematic trio of stories about love and loss, from Krzysztof Kieślowski was a defining event of the art-house boom of the 1990s. The films are named for the colors of the French flag and stand for the tenets of the French Revolution—liberty, equality, and fraternity—but that hardly begins to explain their enigmatic beauty and rich humanity. Set in Paris, Warsaw, and Geneva, and ranging from tragedy to comedy, Blue, White, and Red(Kieślowski’s final film) examine with artistic clarity a group of ambiguously interconnected people experiencing profound personal disruptions. Marked by intoxicating cinematography and stirring performances by such actors as Juliette Binoche, Julie Delpy, Irène Jacob, and Jean-Louis Trintignant, Kieślowski’s Three Colors is a benchmark of contemporary cinema.
The Hong Kong crime drama was jolted to new life with the release of the Infernal Affairs trilogy, a bracing, explosively stylish critical and commercial triumph that introduced a dazzling level of narrative and thematic complexity to the genre with its gripping saga of two rival moles.
The release of François Truffaut’s The 400 Blows in 1959 shook world cinema to its foundations.